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20.11.2008
Ivan Krastev

The populist moment

Unlike the extremist parties of the 1930s, the new populist movements do not aim to abolish democracy: quite the opposite, writes Ivan Krastev. What we are witnessing is a conflict between elites suspicious of democracy and increasingly illiberal publics. [Slovak version added] [ more ]

20.11.2008
Almantas Samalavicius

An amorphous society

19.11.2008
Jonas Thente

Literary perspectives: Sweden

19.11.2008
Jamie Peck

The creativity fix

18.11.2008
Eurozine Review

The malady of infinite aspiration


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18.11.2008

Mute | 10/2008

We don't need another hero...
17.11.2008

Wespennest | 153/2008

Resignation

Eurozine Review


18.11.2008
Eurozine Review

The malady of infinite aspiration

"Esprit" watches market prophecies self-fulfil; "Blätter" calls off the bets in the financial casino; "Mute" refutes the received wisdom about inflation; "Dilema veche" notes how the financial crisis is reimposing the East-West divide; "New Humanist" turns to Durkheim to make sense of the depression; "Wespennest" doesn't give in to resignation; "Le Monde diplomatique" (Berlin) enters the belly of the piggy bank; "Vikerkaar" heeds cultures' anthropophagic appeal; "Dialogi" warns of a cultural wasteland in Maribor; and "Kritika & Kontext" returns a lost son to Bratislava.

04.11.2008
Eurozine Review

Neither man nor woman nor dog nor cat

21.10.2008
Eurozine Review

The greed of others

07.10.2008
Eurozine Review

A savage joke

16.09.2008
Eurozine Review

Graphic and explicit



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Authors

Pedro Almodovar

(b.1951 or 1949, he keeps his exact birthdate secret, in Cazalda de Calatrava) moved to Madrid at age 18 and quickly became drawn into the Spanish capital's underground scene.

Here he also started making short movies with a Super 8 camera and so came into contact with some of the key figures who would shape Madrid's "Movida" - a short but intense outburst of optimism and creative frenzy. Finally he managed to scrape together enough funding for his first full-length feature film, Pepi, Luci, Bom y otras chicas del montón, released in 1980, which already bore the unmistakable Almodóvar hallmarks.

Almodóvar's position as the leading figure in Spain's new generation of film-makers was made with the films that followed: Laberinto de Pasiones ("Labyrinth of Passions", '82); Entre Tinieblas ("Dark Habits", '83) and his first big hit, ¿Qué he hecho yo para merecer esto? ("What have I done to deserve this?"), released in 1985. Almodóvar received an Oscar nomination for best non-English language film and international recognition with Women on the Verge of a Nervous Breakdown but he eventually won the Oscar with his acclaimed Todo Sobre Mi Madre ("All About My Mother"), chosen as Best Foreign Film in the March 2000 edition of the Academy Awards. Its success also brought ever more tempting offers from Hollywood. In the end, however, Almodóvar decided to stick to Spain and Europe for his next film.

Almodóvar has two finished scripts, both written by himself, called Habla Con Ella and La Mala Educacion, the latter set in a boys' school runs by priests during the Franco era (a subject the director is familiar with). Habla Con Ella is currently his most recent feature.



Eurozine Articles


Pedro Almodovar

Location

Talk to Her: The Set from the Viewpoint of the Director

Pedro Almodóvar's thoughts on photography and the differences between photos and pictures in motion. [more]

04.09.2002



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